
There’s something to be said about a man, who, through determination and the sheer force of will is able to overcome an obstacle. Oh and it helps when your determined sheer force of will comes in the form of a high-tech freakin’ battle suit-of-armor.
Like most super hero movies slated to be the first installation of a trilogy, they story of this summer’s action blockbuster, Iron Man, delves mainly into the origin of the man behind the Iron Mask. But unlike other origin stories, this one manages to hurdle all the other pitfalls that set the others back.
Taking the direction from the Marvel Ultimate run of the armored adventurer, Tony Stark finds himself taken hostage by militants in Afghanistan. With the help of a fellow captive / genius scientists, Stark tricks his captors and instead of creating a WMD for their own nefarious purposes, he uses the technology they supplied him with to create a walking tank capable of breaking he and his cell-mate out of their cave-side dungeon and to freedom.
After the ensuing boom-fest, Stark makes it back home with a new found look on like. Follwing his run in with the rebels, he realized what a blight his company’s weapons dealings have been on the world and vows to change the nature of his business, and with the help of his assistant Pepper Potts, his military contact Jim Rhodes and his newly refined super-suit, track down all of his wayward munitions that have fallen into the wrong hands.
But the road isn’t that easy to Stark. Obadiah Stane, his life-long mentor and second-in-command of Stark Industries has other ambitions for the company, and wants to send Iron Man to the scrap heap.
For one, never throughout the film to you feel like you see the main character abandoning his former self completely and coming out a completely different person. That’s one thing that’s always bugged me about the genre. Once the hero says “Welp, I better be a good guy,” he no longer acts like he used to. All of a sudden he’s a swaggering dudly do-right and the goofy twerp that he used to be can’t be found any where (I’m looking at you Spider Man). But Tony Stark, played masterfully by Robert Downey Jr., don’t suddenly loose his self-obsessed and braggart ways. In fact, instead of being humbled by the experience, he acts just the way you’d expect a billionaire, Richard Branson crossed with George Clooney-type, to behave. He has fun with his new toys and wants make sure that he gets all the attention that he can.
Although this film is dominated by the massive presence of RDJ / Stark, Gwyneth Paltrow and Terrence Howard to great jobs in their role. Jeff Bridges is great as Stane. His huge stature casts a long shadow over the comparatively tiny Stark, accentuating the final confrontation that much more dramatically. Oh and Paltrow does the impossible; she actually comes off as likeable.
If anyone but Marvel, John Favreau, and Robert Downey Jr. were involved with this production, it would have ended up coming off either patronizing or unlikable. In typical RDJ fashion, he takes a philandering spoiled rich-kid souse and turns him into a charming, endearing anti-hero, which is the core of the character to begin with. Had the creative reigns been taken from the bigs brains over at the House of Ideas, than we would have ended up with some pretty boy Patrick Demsy kind couche-tard blowing crap up while dropping stink-tastic one-liners, winking at the camera, because that’s what the audience wants, right?!
The cgi sequences were seamless and the action scenes were more than satisfying. Never did you feel like you were, ya know, watching a movie. But did feel like you were watching the best super hero film to date.
9 / 10
>SPOILERS<
Holy crap, and to have Nick freaking Fury, played by Samuel L. Jackson, after the credits with a fan-boys dream come true!